Now, the instrument in Ernie's eBook Most Excellent represents a ravalement (later alteration) of the instrument, making it wider, which I believe would affect the placement of the bridges. Yet, I had a nagging suspicion I would want to stick with the original placements. This presented a secondary problem: I didn't have a drawing or any detailed information on the original instrument.
This is when Owen came to the rescue by loaning me his copy of the drawing done by R.K. Lee in 1971 of the original instrument at Yale.
This was a revelation. Based on the drawing, I created a spreadsheet comparing the 8' and 4' string speaking lengths (typically done for all Cs and Fs as a quick gauge) using all the data I had at that time. All measurements are in millimeters.
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As you can see, the figures in the tenor and at the hook vary a bit, yet all of the Yale 1640 figures are either very close or nearly the mean between Miller's copy and the 1637, especially with regard to the 8' numbers.
At this point, I marked out the 1637 and 1640 pins on the Miller plan. The orange marks represent the 1637 and the green represent the Yale 1640.
I now must make a decision: Do I follow the Yale green points or Mr. Miller's CAD drawing? Interestingly, when I laid the bridges onto the R.K. Lee drawing, they were a nearly perfect fit to the Yale 1640 marks with little final bending during glue-up required.
My inclination is to follow the green marks wherever they may lead. Regardless of my decision, the bridges will be glued down this week. Finally.
Until next time...
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